Thursday, April 1, 2021

Steve's Cult of the New Colossus: Beastmen! (1359 points)

Rank & File #3

 Brother Olaus Wermius Augustine surveyed the pandemonium before him, eyes bright with both academic fervour and the reflected light of the pallid moon that waxed and leered horribly above the unearthly scene. However his nose still hadn’t come to terms with the wall of musk and noisome odour that assaulted it and his ears still rang with the cacophony of squawks, yelps and guttural snarls emanating from the braying crowd. Yet still he endeavoured to focus all his concentration on the task at hand. For he was Cataloguer and Compiler of all the wonders and miracles the New Colossus felt fit to bestow upon the world. It was his calling to codify and crystallise the teachings that could be learned from this munificence in to the one, all embracing orthodoxy that would inevitably bring the word to the world. The endless march that was their mission to bring truth to the unbeliever had been called to a halt for the night and his brother clergy, terminators and the rest of the Crusade were setting up pickets or bedding down for a few hours sleep. This brief respite though was an excellent opportunity for Olaus to observe the behaviour and mien of these most outlandish followers of their God and he must not waste it. 

Yet even with this important work at hand, the young cleric couldn’t help but marvel at how far he had come after escaping the shadow of his former teacher. That old fool’s inhibitions and petty worries had threatened to bury Olaus in all the stultifying blanket of dogma and petty moral precepts that the Royal College of Magic cowered behind. How could that old vulture not see that the interminable hours spent in studying the complex symbolism and endless rituals needed for even the most minor spell were such a waste. The memory of the acres of dusty parchment and ancient forbidden magical texts that were fearfully hidden away because of the knowledge they contained still filled him with a burning anger. No - magic was a living, dynamic thing and true power and knowledge could be had only if one were to commune with those who would share it. If one had the courage and force of will to reach out into the black gulfs of essence and entity, to push the confines of mind and spirit beyond all spheres of force, matter, space and time then one would find themselves in the company of those other Gods!  How fitting it was that that pathetic shadow of a man had died as he lived... afraid. His death had been at the hands of one of the foetid and rushing, airy presences the old Wizard had so greatly feared. To his surprise, Olaus had been its summoner.

Brother Olaus admiring some dystopian surrealism.

So a while back I set out my plans for this project and envisioned a low fantasy, human dominated, sinister cult hellbent on manifesting their new God, the New Colossus. I think I may have got a bit carried away...

I always knew I had quite a lot of Beastmen to include in the army but I've been racking my brains for some time now as to how they would logically fit in with the narrative so far. Why would the gullible down and outs of the Empire, who have been indoctrinated in to the cult, gladly (or at least grudgingly) rub shoulders with a slavering horde of Beastmen? And what about the newest additions (and last minute change of plan) the Nemesis style Terminators? Fanatics sworn to hunt down and exterminate the heretic and non-believer - of the New Colossus at any rate. Although they're not carbon-copies of the alien hating Terminators in Nemesis the Warlock, I still imagine them to be fanatics and purists who wouldn't necessarily view swarms of mutants with a kindly eye. 

My Beastman horde was varied enough to bring to mind the Chaos warband that destroys Konrad's village in the first of the Konrad trilogy of Warhammer novels. That was my initial inspiration for these units, however, I'd had an idea for a while to mine the weird and wonderful depictions of medieval demons for possible colour schemes - making them akin to devils and demons seemed to fit nicely with the creepy religious and inquisitorial cult feeling the army had so far. Also medieval demonology seemed such an interesting topic (and definitely not a good way of procrastinating getting started on my painting!) that I began reading up on it anyway! 

From perusing some pretty eye-catching Demonic bestiaries, I ended up reading up about more normal bestiaries, which nonetheless included some pretty fantastical creatures. Thanks to an interesting article by Sarah Bond, I learnt how these bestiaries detailed real and mythical plants and creatures but were more than just animal encyclopedias. In fact they, through allegory and symbolism, they also illustrated the teachings of the Church and its worldview.

Doves hide from their natural enemy, the Dragon, in the Peridexion tree - much as the sinner was supposed to seek shelter in the church from the Devil.

What's this got to do with Chaos Beastmen, Warhammer Fantasy and the Cult of the New Colossus I hear you cry! Well, this excerpt from Sarah Bond's article, where she quotes Mittman from his book Maps and Monsters in Medieval England, might shed some light, 

"[To Augustine], the seemingly impossible, unnatural elements of monsters — humans with dog-heads, with fish tails, lions with bird wings, immortal creatures, fire-breathing creatures, and all the rest — are possible because God established the laws of nature, and they do not apply to him. Indeed, by breaking them, Augustine believed, God showed his infinite power."

This was my way in - to the devotees of the Cult, the very existence of Beastmen, many of whom share at least some characteristics with the physical manifestation of the New Colossus, prove the existence of their God and his ability to overturn the natural order of things. In medieval times the laws of nature and the idea of the Chain of Being were what underpinned the social order. It set men above plants and animals, Kings above men and of course God and his many ranks of angels above Kings. It doesn't take a huge stretch of the imagination to envisage a similar world view amongst the human civilisations of the Old World and what would be more chaotic for an aspiring deity like the New Colossus than to upend a heirarchy such as this!

The young theologian was snapped out of his reverie by a sudden crescendo in the demoniac wailing coming from the crowd before him. The creatures squabbled and fought amongst themselves in a seething mass of bestial features and strangely human forms. Yes, he thought to himself, bringing his thought back in to a semblance of order - The New Colossus promised a great inversion of all things. Those who were weak would be put in a position of strength, those with nothing would be rewarded with plenty and the downtrodden would in turn stamp their perceived oppressors in to the dust. Yet there was more to these populist and rebel rousing promises than first met the eye. Olaus Wermius Augustine let out a yelp for before his very eyes was the proof - the miraculous proof, from the hand of the Colossus himself. He wasn't concerned merely with righting the wrongs of unjust society. No - the order of nature itself would be changed and the very Chain of Being upended!


These fine fellows are Medieval Demons from Antediluvain Miniatures and were a mid-month addition! 


Once I'd got the idea of medieval creppiness in my head I knew I had to have them - luckily I managed to restrain myself enough to only buy these three. For now...


What I really like about them is that they are based on actual medieval paintings of Devils and Demons. A particular favourite is this friendly looking chap from Durer's engraving, Knight, Death and Devil!


Including the Giant Demon was a must as he reminded me a little (more for his size than looks) of the huge and constantly mutating Chaos Master from the Lone Wolf gamebook, Prisoners of Time.


So having added a bit of devilry to my beastly band, I was also rather tempted by the Hellmouth that Antediluvian also sell...

The Hellmouth was literally that - the jaws of or gateway to Hell.

... until I remembered a rather similar concept from one of Beksinki's paintings that I had included in my introductory post as part of the inspiration for this project.


After a bit of research (I am no sculptor believe me!) I figured that using an anatomical model of a skull would be a good foundation to wrap Das airdrying clay around to give me the form I wanted. Thanks to a pretty poor ebay seller who sent me half a skull with a hole in it (thanks to inadequate packaging), this turned in to a bit of a race against time! 

I'll find a use for this poor chap another time...

I got another cheapish skull and luckily the clay just about dried out in time to paint and base it for this month's entry.


Don't think I've done anything with clay since secondary school so this was a rather fun departure from all the recent brushwork. A lick of paint, some Mordant Earth and pigments for the base and voila!


God knows what I'll use it for other than a weird bit of terrain but it was fun and I was quite glad to work a bit of Beksinski in to the project!


Anyway, back to the Beastmen and another word of thanks to Steve Casey! I mentioned a box full of old and unloved lead he sold me for a pittance some years ago - a few of the old Ral Partha Chaos warriors from my last post were found within its depths. Well a lot of the following miniatures were also in that box, daubed with old muddy paint jobs and looking extremely unpromising. I'm very glad I managed to rescue them and give them a new lease of life!


The Beastmen, as those blinkered by superstition and ignorance called them, had been almost a myth to Olaus in his past life - as they were to the many who were content to live their petty lives confined to the small and placid islands of ignorance they dutifully created for themselves. Now he had unbridled opportunities to study, to classify and to celebrate their incredible existence. How criminal it was that these magnificent beings were forced to scrape out meagre lives at the edges of society, forever ostracised and feared and for what?

Feared merely for their existence and their honest acceptance of the true expression of themselves, a beautiful synergy of beast and man, greater than the sum of their parts. Oh how they made those hypocrite weaklings who oppressed them pale in comparison - Cowards who would hide behind weasel words and speak with fork tongues. Those who would have authority sit on their shoulder and chatter like an ape. Those who would listen to their "betters" with asses' ears and follow blindly on like the kid and the calf or else suck from the teat of ill gotten privilege like spoilt lap dogs whilst their boorish masters gorged themselves at the trough. What a poor and bestial thing was a Man when compared with the noble savage he held in such contempt.


The brow of Olaus Wermius Augustine dripped with fervent sweat as he furiously scribbled this new litany in his great masterwork, the Compendium rarissimum totius Artis Magicae sistematisatae per celeberrimos Artis hujus Magistros. Painstakingly he catalogued every miraculous new form he could identify from the unruly flock and blessed them each in turn. He thrilled at the fact that what to the uninitiated were seemingly impossible and unnatural “monsters” were in fact only possible because of the transformative blessings of the God he worshipped. Their very being was miraculous and incontrovertible proof of the existence and power of the New Colossus and to deny this truth could mean only death - for thou shalt not suffer the unbeliever to live!

Overcome by both the howls of his uncanny congregation and the ecstasy of his epiphany, Brother Olaus raised his voice in unison and in prayer,

“But ask now the beasts, and they shall teach thee: and the birds of the air, and they shall tell thee. Speak to the earth, and it shall answer thee: and the fishes of the sea shall tell. Who is ignorant that the hand of the Lord hath made all these things?"


I was going to attempt to record where these minis were all from but as it is fast approaching the witching hour and March is soon to become April, I'll leave you to play Spot the Manufacturer!


Suffice to say, this lot were great fun to paint and any plans I had to batch paint them quickly fell down as they were all so full of individual character.

The wet palette came in to its own as there was a lot of wet blending! Enjoy the photo dump!









I had a lot of fun with the banners for these guys. First up is a great old Orc from Gremlin Miniatures. His sculpted banner was just the right shape for suggesting horns and antlers - a trait a lot of these Beastmen share with the physical manifestation of the New Colossus. I rather liked the totem the Ral Partha Orc is carrying but as I couldn't fit any lettering on the sculpted banner, he got a tomato puree tube flag added on so I could emblazon their motto on to it.

I'd collected quite a few images for ideas for banner designs and was having a hard time choosing one for the other unit. I've always had a soft spot for Blake's paintings and his depiction of Nebuchadnezzar seemed to be a good fit thematically for their contempt of non-believing "pure" humans. The legend goes that the ruler ended up losing his mind thanks to his boundless hubris and he ended up reduced to animalistic madness!

I decided to couple that with a bit of one of Hamlet's monologues (not at all influenced by my opinion of the state of things these days!) and it all seemed to come together nicely. 

Incidentally, this is the best rendition of that speech in my opinion!

I'll leave you with one last narrative excerpt. As with previous entries, there was a lot of metal listened to while painting this lot and one song in particular seemed quite pertinent to the subject matter - Under the Boughs by The Sword. I just so happened to have a strange little miniature of a lady and her two handmaidens - she seemed perfect for the White Maiden in the song. Some of the lyrics became the Beastmens' chant so it seemed fitting to make a War Altar.

As Olaus watched, enrapt in the pandemonium, he slowly became aware of a form of order beginning to coalesce amongst the swirling chaos of cavorting figures. Where bodies a moment before writhed and contorted, seemingly at random, there seemed to come a uniformity of movement. The undulating mass slowed and began to part to allow the passage of a strange litter borne by four great brutes. How fierce was their aspect and yet how gently they bore their sweet burden and with such tender glances from time to time they bestowed upon their fair charge. Unsure as to whether it was some effigy they carried and worshipped or a living and breathing being, Olaus craned forward from his vantage point to better observe the ritual. 

Much as the unruly throng had ordered itself reverently before the object of their adoration so too did the deafening chatter and mowing gradually shift towards a kind of rude harmony, despite the continued clamor of discordant horns and drums. To the unsympathetic ear it would have been nought but brutish gabbling but Olaus, in his new wisdom, knew better…

Watch us come from lands all around

To hear the maiden in white

Sing her songs of sorrow and love

In the hall of the king tonight

She was stolen from under the boughs

Away from the sheltering glens

Imprisoned by wizards to sing for a serpent

In the guise of a man

Olaus raised his not insubstantial eyebrows at the sight of what must be another deity. He would have to check with higher authorities whether this was apostasy or orthodoxy. The chant went on and he held his misgivings in reserve.

We come with teeth and tusks and talons

We come with horns and hooves and claws

A wailing cry is heard deep within the forest

A bestial host heeds the king stag's call

He needn’t have worried as it soon transpired and Olaus began to wonder if the King Stag was some new manifestation of the Colossus himself. His supposition was confirmed as bottles and flagons were produced amongst the drove, obviously supplied by their human brethren, and just as soon imbibed. The effect on the gathering was immediate. A crude form of call and answer began to evolve, somewhat reminiscent of the responsorial psalms of the Redemptionists, Brother Olaus noted to himself. It seemed that their primitive totem, the White Maiden had been subsumed in to the wider beliefs of the Cult. Hardly regular, Olaus tutted to himself, but after all - their God moved in mysterious ways.

That's a brave god and bears celestial liquor.

I will kneel to him. Great Colossus! King Stag!

I'll swear upon that bottle to be thy true subject;

For the liquor is not earthly. Great Colossus! King Stag!

And I will kiss thy foot: I prithee, be my god. Great Colossus! King Stag!

And praise the White Maiden - mother and comfort to us all

Aye Lord Colossus, King Stag. She will become thy bed I warrant.

And bring thee forth brave brood.


34 Beastmen            568 points
Gorgo's Flock
L10 champion, standard bearer, musician, light armour shields, hand weapons

30 Beastmen            516 points
Prosper's Bane
L10 champion, standard bearer, musician, light armour shields, hand weapons

War Altar                275 points
The Maiden in White
4 guards and magic standard
L10 Wizard

Well it's been quite a month and I return to work tomorrow after being furloughed since Christmas. I certainly wouldn't have managed this output without all the spare time on my hands and I think I've broken the back of this project now! Plenty more to do yet though...

26 comments:

  1. Such an amazing variety of work, I struggle to keep focus painting the same models and schemes through a month, I can't imagine what it would be like to essentially paint such a mass of completely unique figures all at once!

    Plus that head terrain is disturbing, but brilliant!

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    1. Tell me about it - scares the crap out of me every time I see it out of the corner of my eye XD

      Thanks - once I got rid of the idea of trying to batch paint them, it was quite pleasant. Being furloughed and kids back at school meant I had plenty of time to enjoy painting them one at a time. I guess using a wet palette and working with the same colours across the whole batch of minis achieves some kind of unity as a whole.

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  2. Good to see you actually get some completed by the end of the month Steve, well done.

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    1. Thanks bud - for me productivity increases the closer I get to the deadline - just love that eleventh hour buzz!

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    2. Where as I prefer a nice steady pace over a long time, reaching to a successful conclusion. April's contingent is already done, which effectively gives me two months to complete May's entry - watch this space!

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  3. stop making the rest of us look bad Steve!!! jeez dude....amazing!

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    1. Sorry Blue and thanks - really enjoying this challenge! I do have a massively unfair advantage in being furloughed from a practical job for the past three months. No home working for me apart from the OWAC XD

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  4. Just WOW! What a collection of miniatures and that head! I am simply stunned. Great work.

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    1. Cheers Darth - the collection has been eight or nine years in the making! Nice to have finally given them a lick of paint! The head is 90% the skull I slavered Das clay over so I can't claim any sculpting kudos there really XD

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  5. You don't have to do a complete army each month, you know! Beautiful work and great fluff!

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    1. Thanks Lissane - glad you enjoyed the background. It was a lot of fun to write. I guess I've just had a lot of spare time on my hands and to be honest this project has really helped me through the latest lockdown in the UK.

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  6. I really love all your work. Beastmen, sceneries, ... everything is great !

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    1. Thanks Sybou! Likewise, your Albion army is really inspiring me to get back to my (adoptive - I'm actually Lancastrian) Cumbrian roots and do something along similar lines with an all Giant force some time in the future...

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  7. This is incredible. Months of work! How is this thing possible?

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    1. Thanks GP! That would be furlough leave since December from a practical job with no way of working from home and a very understanding wife! I've been treating the OWAC like a 9-5 job pretty much - but the kind of job you also don't mind putting in a lot of overtime because you're enjoying it so much!

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  8. An outstanding job as always. The altar reminds me the villain from Diablo II: Lord of Destruction, an unsettling intro for that time and so it is your war altar. And that piece of terrain is really cool!

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    1. Thanks Adrian! Not familiar with the game but having googled the intro video I'd definitely agree - the right level of creepy evilness!

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  9. Wow wow wow !!! I love everything. Your inspiration (Boya, Bosch, Beksinsky, Munch, i insist on Munch), they are all my favorite artists. I love the story, I regret failing to translate everything, and I love your Altar... where does it come from ? It is amazing, everything. You're clearly our warlord !!

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    1. Ah, so we have a new convert to the Cult? ;)

      Thanks - you're clearly a man of good taste! Apologies if I get a bit verbose at times - any bits I can help translate?

      The altar is an old Ral Partha model that came in several variants - Evil Wizard on Litter or Evil Lord on Litter. The main differences were with the litter itself. I got this one incomplete on ebay so used the chassis from Arkhan the Black's chariot that I had going spare. Ral Partha legacy still sell it as a Chaos Sorcerer on War Altar and I have the original 1979 casting of that one complete to paint as part of my baggage train later in the challenge...

      https://ralparthalegacy.com/products/51-0663

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    2. Thank you ! A great reference indeed ! W

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  10. I love it all! It's great to see all your inspirations and your train of thoughts. But I especially like the finished product of course. You nailed the sense of despair and end of the world feelings of this force. It's truly great.

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    1. Thanks Iannick - just as long as I'm not pontificating too much!

      I usually seek a bit of escapism with this hobby but current affairs seem to be feeding that sense of despair and end of the world feeling quite well at the moment.

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  11. This is a post of greatness! I love all the thought, history, linkings and backgrounds that make this a joy to read and look through - thank you!

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  12. Well, I'm creeped out! Wonderful job!

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